kihou: (Dr. Morden clone #187)
[personal profile] kihou
One interesting thing about storyline quests in Chuubo's is that they provide worldbuilding in a way that's not present in most RPGs. I feel like most RPGs worldbuild in two main ways: directly, by telling you facts about the world of the game, and indirectly, by the traits, capabilities, and abilities of characters and how they interact. A related concept is "how you should play the game", feel and genre (or WTF's Insight), which similarly has explicit text ("this is a game about fighting monsters") and implicit "these are the things that the mechanics highlight or reward". Chuubo's XP actions, while different in focus than most RPGs, are in this category, mechanical rewards for focusing on certain things in the same way that D&D rewards you for killing monsters or Urban Shadows rewards you for interacting with factions. Chuubo's storyline quests, while similar-seeming at first, have a level of specificity that's different from most games and contributes to worldbuilding and game feel in a unique way.

Some quests, particularly those from Fortitude: by the Docks of Big Lake, connect to normal worldbuilding, referring to people or situations you can read about in the prose, but that's not what I'm really interested in here. I'm more talking about stuff like "you use an elaborate, magical-looking key". Why is there an elaborate key? What is it used for? That's for the player or the HG to figure out, but being on the quest The Trials of the Sun gives support for such a key to exist for whatever reason. A lot of the weirder ones give a cop-out option; e.g. "You meet a star in human form" has a footnote saying that "a glamorous enough celebrity is also OK", and some suggest that the relevant events might happen in a dream sequence, so in some sense they're less facts and more prompts. I find a lot of them very evocative, and like a good writing prompt I feel like they could push you in directions you wouldn't think of otherwise, serving as an evocative seed to get you to define your world more interestingly, rather then telling you exactly how something fits into the world.

Like XP Actions, storyline quests can also have some of the "this is what you should spend time on" nature. XP actions say things like "you should have slice of life scenes" in a Pastoral game. Some quest flavor is like this, but more specific; if you're on a Beautiful and Far Away quest, you should be doing things like "talking with somebody about what dreams are, as compared to reality". That's a game feel sort of thing, and pushes roleplay in interesting directions like some quest actions push worldbuilding.

I think both of these end up pushing the HG and players towards symbols and metaphor in an interesting way. Quest flavor can include prompting you to watch birds flying, or to eat hot cross buns or melon pan, without telling you what that means or why that's relevant to something like reinventing yourself. Leaving the significance of such things open-ended seems like it could lead to cool play in a way that'd be hard to do in normal sourcebook prose. And it keeps the feel of the game and the author a continuous, changing part of play, rather than something that's involved in character creation but falls by the wayside after that.

Basically, storyline quests seem super-evocative in a bunch of different ways, and I feel like it provides support for the feel of a game in the way standard sourcebook text can't, while also changing over time to keep things fresh. I look forward to seeing more of them in my new Chuubo's campaign.

Date: 2016-03-21 10:03 am (UTC)
l33tminion: (L33t)
From: [personal profile] l33tminion
Very curious to see how this will work out in practice in Chuubo's, especially given miraculous arcs in a pastoral setting. I wonder if I should tone down my character a bit (or a lot) in terms of high-fantasy-ness, though I like my basic concept.

Date: 2016-03-21 02:17 pm (UTC)
ext_81047: (Journaling at Stonehenge)
From: [identity profile] kihou.livejournal.com
I mean, you and Andrew seem to both have pretty epic characters who are specifically focusing on having less-epic lives right now, which seems fine. Given the example of Glass-Maker's Dragon, which is a pastoral campaign which has a character obsessed with nightmare science and one who's the king of evil and so on, it doesn't seem necessarily outside Jenna's attention. Things might get more like Spirited Away sometimes than Kiki's Delivery Service, but any character with 3 points of miraculous arc traits is going to be pretty ridiculous, so I'm fine mixing some epic plot elements with the important stuff of making a home in Fortitude and helping kids get to school (or Chuubo get his ice cream) if you are.

Date: 2016-03-21 03:45 pm (UTC)
l33tminion: (Train)
From: [personal profile] l33tminion
Spirited Away is a pretty great example, if I'm getting what Jenna means by "Pastoral".

Date: 2016-03-21 04:08 pm (UTC)
ext_81047: (Journaling at Stonehenge)
From: [identity profile] kihou.livejournal.com
It sorta seems to me that the idea is "the important stuff is connecting to people and valuing/emphasizing ordinary things, whether you're actually leading a pretty ordinary life in a pretty calm town or whether you're inventing nightmare creatures or fighting the forces of darkness".

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